makara-dhvaja Cinnabar-gold Cinnabar-gold, known as “Makaradhwaja” was used in ancient Bharatam as medicine it was also an emblem of fertility. (Marathi) Rebus: मांड m (मांडणें) Laying out or disposing in order (implements, materials, apparatus for a work or business) Rebus: maṭha1 m. Third with tree-on-railing capital: work of kolhe 'smelters' and dhokra kamar 'cire perdue metalcasters' 1.māṇḍa-dhvaja Catalog of implements, materials, apparatus of artificers Hieroglyph: maḍalu palm branch (Tulu)माड m A Cocoanut-tree, Cocos nucifera. Second was makara dhvaja with makara capital: 3. One was māṇḍa dhvaja with the fan-palm capital: māḍa 'palm' Rebus: māṇḍa 'Display catalogue' 2. What spoken words were spontaneously evoked (sphoTa) when a citizen of Besanagar viewed these hieroglyphs on capital pillars? I suggest that the words were of Meluhha speech rendered by rebus-metonymy-layered Meluhha glosses signified by the hieroglyphs. There was possibly a third pillar with another distinct capital: 3. See: In his tour, between 18, in Bundelkhand, Malwa and Central Provinces, Alexander Cunningham identified two pillars with two distinct capitals in Besanagar: 1. 4 also खरडें n A rude sketch a rough draught a foul copy a waste-book a day-book a note-book. 3 also खरडें n A scrawl a memorandum-scrap a foul, blotted, interlined piece of writing. 2 Bruised or coarsely broken peppercorns &c.: a mass of bruised मेथ्या &c. 197) m (खरडणें) Scrapings (as from a culinary utensil). any mythical or supernatural bird (often identified with गरुड, and sometimes personified as a ऋषि, a देव-गन्धर्व, and an असुर) RV.TS. any large bird of prey (as a vulture, eagle also applicable to the sun or moon as " having beautiful rays ", and to सोम and clouds du. personification (mentioned together with कद्रू, sometimes identified with वाच् and regarded as the mother of metres) TS.Ka1t2h. ʻ any large bird of prey, a mythical bird ʼ RV. of a daughter of कश्यप (regarded as the mother of hawks) MBh. &c firewood laid in the shape of an eagle S3ulbas. the eagle that brings down सोम to man) RV. a hawk, falcon, eagle, any bird of prey (esp. coming from an eagle (as " eagle's flesh "), Kr2ishn2aj. अरुण, the charioteer of the sun or the personified dawn, is said to be the elder brother of गरुड स्वाहा, the wife of अग्नि, takes the shape of a female गरुडी =सुपर्णी MBh. of a mythical bird (chief of the feathered race, enemy of the serpent-race, vehicle of विष्णु, son of कश्यप and विनता shortly after his birth he frightened the gods by his brilliant lustre they supposed him to be अग्नि, and requested his protection when they discovered that he was गरुड, they praised him as the highest being, and called him fire and sun MBh. iv, 155, " devourer ", because गरुड was perhaps originally identified with the all-consuming fire of the sun's rays), N. ʻ hornbill ʼ, garul ʻ a large vulture ʼ Si. Hieroglyph: eagle, falcon: (P),(P) ``^eagle, any big ^bird''. gaRur 'eagle' Rebus: karaḍā 'Hard from alloy-iron, silver &c.' eraka 'wing' Rebus: eraka 'moltencast copper'. magara, nakra 'crocodile' rebus: nagara 'temple'. √ विष्, " All-pervader " or " Worker ") (Monier-Williams) Hieroglyph multiplex of makara PLUS eagle denotes a special smithy/forge working in hard alloys: xolA 'tail' Rebus: kolle 'blacksmith' kol 'working in iron' kolhe 'smelters' kole.l 'smithy, forge'. Makara with fish-tails and emergence of a smith, ivory-carver, artificer. The use of the same cipher continues in the historical periods of Sarasvati-Sindhu civilization, evidenced by the hieroglyph-multiplex of Besanagara discussed in this monograph. Vessa were Yueh-chi, pilgrims, traders, Bhāratam Janam, metalcasters in interaction areas along Tin Road and Tin Maritime Route from Hanoi to Haifa: Stop, Besanagar Indus script corpora evidences use of rebus-metonymy-layered Meluhha cipher, called mlecchita vikalpa (writing system) by Vatsyayana.
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